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                        | #50 | THE BIG LEBOWSKI (1998) |  
                        |  | CASTJEFF BRIDGES, STEVE  BUSCEMI, JOHN GOODMAN, PHILIP SEYMOUR HOFFMAN, JULIANNE MOORE, PETER STORMARE, JOHN  TURTURRO
 DIRECTED BYJOEL COEN, ETHAN COEN
 Featuring one of  the great cinematic creations of the last 20 years, The Big Lebowski features the Coen Brothers at their witty, quirky  best. The film stars a hilarious,  perfectly cast Jeff Bridges as Jeffrey “The Dude” Lebowski, an unemployed bowling  loving stoner who gets caught up in a case of mistaken identity with a millionaire  whose trophy wife is abducted. On the case, The  Dude must navigate the seedy underbelly of Los Angeles and reign in his  volatile Vietnam veteran buddy Walter (John Goodman) in order to clear his  name. Both Bridges and Goodman are a downright hoot in their respective roles, as  the Coens brilliantly blend neo-noir elements with surreal imagery and stoner  comedy conventions to make a potent, unique comedy.        
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                        | #49 | 
                          THE LORD OF THE RINGS: THE RETURN OF THE KING (2003) |  
                        |  | CASTSEAN ASTIN, ORLANDO  BLOOM, IAN McKELLEN, VIGGO MORTENSEN, MIRANDA OTTO, ANDY SERKIS, LIV TYLER,  HUGO WEAVING, ELIJAH WOOD
 DIRECTED BYPETER JACKSON
 The final chapter  in The Lord of the Rings trilogy is  a suitably action packed epic that holds an equal amount of visual spectacle  and emotional power. Although featuring  a mammoth running time, Peter Jackson’s tale of hobbits, dwarves, elves and  heroic humans doing battle against forces of darkness is one of size, scope and  an undeniable emotional strength that does justice to its previous two  chapters.     |  
                        | #48 | 
                          THE ASSASSINATION OF JESSE JAMES BY THE COWARD ROBERT  FORD (2007) |  
                        |  | CASTCASEY AFFLECK, BRAD  PITT, MARY LOUISE-PARKER, JEREMY RENNER, SAM ROCKWELL, PAUL SCHNEIDER, SAM  SHEPARD
 DIRECTED BYANDREW DOMINICK
 The Assassination of Jesse James by the Coward  Robert Ford is an  engrossing and hypnotic western that places a heavy emphasis on atmosphere,  character and the culture of celebrity. 
 Set between the years of 1881-1882, the film stars Brad Pitt as the charismatic  and dangerous Jesse James (Brad Pitt), and Casey Affleck as the cowardly Robert  Ford, the youngest and weakest of the James gang who is constantly taunted and  belittled by everyone including Jesse, who he considered his idol.
 
 Both Pitt and Affleck deliver pitch perfect performances under the direction of  Andrew Dominick, who created an extremely well-paced, absorbing film that  transfixes and awes throughout its almost 3 hour long running time.
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                        | #47 | STAND BY ME (1986) |  
                        |  | CASTRIVER PHOENIX, WIL  WHEATON, JOHN CUSACK, RICHARD DREYFUSS, COREY FELDMAN, JERRY O’CONNELL, KIEFER  SUTHERLAND
 DIRECTED BYROB REINER
 A coming of age  story of immense emotional strength and unforgettable adventure, Stand By Me is a timeless classic that  can be enjoyed by generations of movie lovers. Based on the short  story by Stephen King, its story of four best friends (River Phoenix, Wil  Wheaton, Corey Feldman, and Jerry O’Connell) who set out in search of a dead  body is one that conjures strong feelings of joy, sadness and nostalgia.It  is also a film about the inseparable bond of friends, and how those friendships  stay with us forever     |  
                        | #46 | 
                          DOWNFALL (2004)
                         |  
                        |  | CASTBRUNO GANZ, CORINNA HARFOUCH, JULIANE KOHLER, ALEXANDRA  MARIA LARA, ULRICH MATTHES
 DIRECTED  BYOLIVER HIRSCHBIEGEL
 That many will know  this superb Oliver Hirschbiegel directed film through the popular series of  YouTube parody videos is just unfair and unfortunate for such an astounding  piece of cinema.  
 Bruno Ganz portrayal of Adolf Hitler during the last days of WWII remains one  of the most daring and powerful performances in recent memory, injecting  humanity into a very real monster whose last grasp for power in a losing war  saw him turn on his own men and label his people cowardly traitors.
 
 Ganz failed to receive Oscar love, as did Downfall itself in the Best Foreign Picture  category, marking one of the worst Oscar snubs to one of the best war films  ever made.
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                        | #45 | SELMA (2014) |  
                        |  | CASTDAVID OYELOWO, CARMEN EJOGO, WENDELL PIERCE, GIOVANNI  RIBISI, TIM ROTH, TOM WILKINSON, OPRAH WINFREY
 DIRECTED  BYAVA DUVERNAY
 Any filmmaker who  decides to tackle a film about Martin Luther King will face insurmountable  expectations, based on who the man was and the legacy he left behind. For Ava  Devurnay it was a project which she tackled with skill, passion & an upmost  responsibility, Selma presenting  the Nobel Prize winning Christian activist and his crusade for racial equality,  with power & truth. Set during the  civil-rights fight for the right to vote in the racial hotbed of Selma,  Alabama, Duvernay's historical drama successfully transports viewers back to  the time where racial segregation was at its ugliest. Yet from that darkness  came a shining light in King's preach that God created all men equal.Portraying that  righteous, commanding power was British actor David Oyelowo, who quite simply  became Martin Luther King, delivering a stunning, complete performance that  mesmerises with its grace & gravitas.
 A mighty achievement  as both a film and socially relevant reminder of where we were and where we  still are, Selma is not only a masterful movie, but a  vitally important one.       |  
                        | #44 | BOYHOOD (2014) |  
                        |  | CAST ELLA  COLTRANE, PARTRICIA ARQUETTE, ETHAN HAWKE, BRAD HAWKINS, LORELEI LINKLATER,  MARCO PERELLA
 DIRECTED  BYRICHARD LINKLATER
 Who knew that  during 12 prolific years when filmmaker Richard Linklater was creating films  such as Before  Sunrise, Me & Orson Welles & Bernie, that he was also hard at work filming  and piecing together the movie of his career? Yet that is what he delivered  with Boyhood,  an ambitious and suitably epic chronicle of young Mason's (Ella Coltrone)  journey from 6-year-old boy to 18-year-old young man. Linklater's  presentation that life is but a series of moments is beautifully realised and  structurally impressive, not to mention excellently portrayed with both Ethan  Hawke and Patricia Arquette's performances as Mason's divorced parents  especially strong. Most impressive is  that Linklater has not merely created a film but a once in a lifetime viewing  experience, as we watch human life grow, interact, love & learn with  incredibly natural feel and profound effect.     
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                        | #43 | 
                          THE ELEPHANT MAN (1980)
                         |  
                        |  | CASTANTHONY HOPKINS, JOHN  HURT, ANNE BANCROFT, JOHN GIELGUD, WENDY HILLER
 DIRECTED BYDAVID LYNCH
 Doing away with the  eerie weirdness that is part and parcel of many a David Lynch film, The Elephant Man instead focuses its  gaze on the power of human dignity found on the inside of all men (and women)  within a world of judgement. John Hurt delivers  a tender, sympathetic performance as John Merrick, a hideously deformed man  rescued from a life of being a carnival freak show by Dr. Frederick Treves  (Anthony Hopkins). As a friendship  grows between these men, we the audience are shown the true value of a person’s  beauty and the destructive power of judgement.      |  
                        | #42 | 
                          THE INSIDER (1999)
                         |  
                        |  | CASTRUSSELL CROWE, AL PACINO, CHRISTOPHER PLUMMER, DIANE  VENORA, PHILIP BAKER HALL
 DIRECTED  BYMICHAEL MANN
 The Insider is one of those rare beasts that combines  intelligence, heavy drama and thrills to make for an absorbing watch. Based on true story  of corporate whistle blower Jeffrey Wigand (Russell Crowe), his battle against  big tobacco, and the 60 Minutes producer (Al Pacino) who faces opposition  trying to get Wigand’s story on air, The  Insider displays  Michael Mann’s knack for stark thrills in this example of the shady  relationship between the business and news worlds. Both Crowe and  Pacino (the two best actors of their respective generations) are in top form,  Pacino especially good at using his patented ferocious intensity used to  devastating effect, delivering a performance reminiscent of his early work, yet  backed by a wisdom he could not muster during his formative years.     |  
                        | #41 | 
                          CHILDREN OF MEN (2006)
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                        |  | CASTCLIVE OWEN, MICHAEL CAINE, CHIWETEL EJIOFOR, CHARLIE  HUNNAM, DANNY HUSTON, JULIANNE MOORE
 DIRECTED  BYALFONSO CUARON
 The stakes don’t  get any higher than when the fate of mankind lies in the balance. That is  what’s presented in Children of Men, an  engrossing sci-fi thriller that envisions a world gone mad when faced with the  reality of extinction. Clive Owen stars as  Theo, an everyman caught in an extreme situation when its left up to him to  help a pregnant woman travel across a war ravaged Britain to find safety. Yet  there are many who want to get their hands on this expected bub, with  government officials and activists all salivating the benefits of possessing  the first baby born in decades. Directed with  filmmaking wizardry by Alfonso Cuaron, Children of Men features a tense atmosphere punctuated  by pitch perfect pacing, unapologetic political commentary, and strong  religious overtones that elevate the sacredness of new life in a dying world.       |      |  |