| 
                  
                    | 
                          
                            | Support Matt's Movie Reviews 
 Or, Click On An Ad! |  |  
                    | 
                        
                          | Approved critic at |  |  
                    | 
                        
                          | Approved critic at |  |  | 
                    
                      
                        | #40 | LA CONFIDENTIAL (1997) |  
                        |  | CASTRUSSELL CROWE, GUY PEARCE, KIM BASSINGER, JIM CROMWELL,  DANNY DE VITO, KEVIN SPACEY, DAVID STRAITHARIN
 DIRECTED  BYCURTIS HANSON
 Set in the  “ring-a-ding” days of swinging 1950s Hollywood, L.A. Confidential is a superb adaptation of James  Elroy’s pulp novel, with stellar production and costume design bringing to life  this police story where corruption is found in every corner. Its story focuses  on three different cops (Russell Crowe, Guy Pearce and Kevin Spacey) who get  more than they bargained for when a murder investigation leads them into the  seedy depths of Hollywood’s elite. Brilliantly  directed by Curtis Hanson, photographed by Dante Spinoti, filled with career  defining performances from its esteemed cast, and featuring a twist so  unsuspecting it will literally make your draw drop, L.A. Confidential is a period piece conspiracy thriller  that will have many of their toes.     
 |  
                        | #39 | 
                          THE INCREDIBLES (2004)
                         |  
                        |  | CASTCRAIG T. NELSON, HOLLY HUNTER, JASON LEE, SAMUEL L.JACKSON,  ELIZABETH PENA
 DIRECTED  BYBRAD BIRD
 One of the greatest  animated movie ever made, The Incredibles delivered as both superhero adventure  and family dramedy, all wrapped up in breathtaking animation and filled with  fun, excitement and characters worth rooting for.  Written and  directed by animation king Brad Bird, the film focuses on a family of outlawed  superheroes who spring into action (finding themselves in the process) after a  demented fanatic/super villain (Jason Lee) unleashes destruction upon the  world. The visual prowess  displayed in the film is the best Pixar have yet to deliver. Each and every one  of its characters well crafted, written, and superbly given voice by a talented  cast led by Craig T. Nelson and Holly Hunter as Mr. Incredible and Elastigirl,  respectfully. Plus, where else could you find a 6 month old baby morph into a  fireball?       |  
                        | #38 | 
                          SERPICO (1973)
                         |  
                        |  | CASTAL PACINO, TONY ROBERTS, BARABRA EDE YOUNG, JACK KEHOE,  CORNELIA SHARPE
 DIRECTED  BYSIDNEY LUMET
 If there is a  single theme that resides high in the work of director Sidney Lumet, it is that  of righteous morality in the face of oppression. The true life story of Frank  Serpico is a fine example of just that.  Al Pacino stars in  a brilliant, mesmerising turn as Serpico, a New York City cop who deflected the  trappings of a corrupt system until he was forced to testify against his fellow  officers. From the closed in  walls of various police precincts to the streets of Greenwich Village, the ever  observant Lumet captures the New York City backdrop which Serpico called home.  Yet more important is Lumet’s dedication to presenting the many layers of this  most unique of individuals with a bold, heartfelt clarity, making Serpico a biopic that strives for realism  instead of airbrushed escapism. Brimming  with emotion and honour, Serpico presents Lumet at his very best.     |  
                        | #37 | ZERO DARK THIRTY (2012) |  
                        |  | CASTJESSICA CHASTAIN, KYLE  CHANDLER, JASON CLARKE, JOEL EDGERTON, JENNIFER EHLE, JAMES GANDOLFINI, CHRIS  PRATT, EDGAR RAMIREZ, MARK STRONG
 DIRECTED BYKATHRYN BIGELOW
 Coming off their  Oscar success for The Hurt Locker,  director Kathryn Bigelow and writer Mark Boal created one of the best espionage  movies (while courting controversy) in Zero  Dark Thirty, the true life account of the greatest manhunt in modern  history that also plays catalyst to a gripping tale of obsession both dark and dangerous. Jessica Chastain  stars as Maya, a CIA agent intensely focused on one task: find Osama Bin Laden.Chastain plays the  role with stone-cold intensity, yet adds many shades of grey to a character  whose black & white goal to kill the “world’s most dangerous man” is one  filled with many complex emotions.        Bigelow and Boal  and Bigelow successfully take 12 years of information (including a conclusion  that everyone knows) and packaged it into a coherent, intimate and intense  movie, where the stakes are always high, danger is found at every turn, a hunch  can lead to a breakthrough and misinformation can lead to wasted years of  chasing ghosts.     |  
                        | #36 | 
                          THE SHINING (1980)
                         |  
                        |  | CASTJACK NICHOLSON, SHELLEY DUVALL, DANNY LLOYD, SCATMAN  CROTHERS
 DIRECTED  BYSTANLEY KUBRICK
 When Stanley  Kubrick turned his perfectionist gaze to horror with his adaptation of Stephen  King’s The  Shining, he created one of the horror genres best movies.  Where other haunted  house movies feature a creaky old shack or cobwebbed mansion, The Shining is set in an isolated hotel where  novelist Jack Toress (Jack Nicholson) and his family play caretaker during the  winter season. Yet it doesn’t take long for the evil spirits within to make  themselves known and one “Here’s Johnny!” later, Jack is hunting his family  with an axe. Kubrick created a  horror movie that was psychologically, atmospherically and violently shocking,  where rivers of blood run down hallways and spooky British children appear at  the end of corridors with nasty intentions. King famously decried Kubrick’s  vision of his story, yet the “master of horror” turned out to be the ultimate  fool with The Shining still packing a wallop some 32 years  on.     |  
                        | #35 | AMERICAN HUSTLE (2013) |  
                        |  | CASTAMY ADAMS, CHRISTIAN BALE, BRADLEY COOPER, LOUIS C.K.,  ROBERT DE NIRO, JENNFIER LAWRENCE, JEREMY RENNER
 DIRECTED  BYDAVID O.RUSSELL
 Since re-emerging  from movie exile, filmmaker David O. Russell delivered one exceptional film  after another. American Hustle continued that trend, presenting O. Russell’s  deft handle on character and exceptional skill at bringing the best out  of his A-list cast in this 1970s set story based loosely on the Abscam  investigation that rocked a nation. It’s the inner  circle within the sprawling scandal – the grifters (Christian Bale, Amy Adams),  the FBI Agent (Bradley Cooper), the unstable wife (Jennifer Lawrence) and the  politician (Jeremy Renner) – that Russell focuses on, and each actor from this  esteemed troupe deliver energetic, provocative and mesmerising performances  that are more than worthy of the praise bestowed. Unfairly seen by  too many as a mere Scorsese clone, American Hustle is instead a spirited throwback to the  “New Hollywood” era where the director was king and characters were portrayed  with an intensity that made legends.     |  
                        | #34 | CITIZEN KANE (1941) |  
                        |  | CASTORSON WELLES, WILLIAM ALLAND, DOROTHY COMINGORE, JOSEPH  COTTON, GEORGE COULOURIS, EVERETT SLOANE, RUTH WARRICK
 DIRECTED  BYORSON WELLES
 Regularly cited as  one of the greatest films of all time, Citizen Kane saw Orson Welles create his  masterpiece at the age of 27 and piss off half of Hollywood while doing so. Welles stars as  Charles Foster Kane, a media magnate who alienates his family and friends as he  strives for total power. Welles landed in hot water when supposed inspiration-  real life magnate William Randolph Hearst- took exception to Welles’ depiction  of his life, leading to a fiery confrontation where Citizen Kane nearly didn’t make it to cinemas. While it was  unfairly shafted at the time (due to studio bigwigs and the press backing  Hearst), Citizen Kane has gone on to become a highly  regarded and influential film that is deeply heartfelt, thought provoking, and  points a spotlight on how men of power manipulate the free press for their own  gain.      
 |  
                        | #33 | 
                          THE DARK KNIGHT RISES (2012)
                         |  
                        |  | CASTCHRISTIAN BALE, MICHAEL  CAINE, MARION COTILLARD, TOM HARDY, ANNE HATHAWAY, JOSEPH GORDON LEVITT, GARY  OLDMAN
 DIRECTED BYCHRISTOPHER NOLAN
 Featuring director  Christopher Nolan at his visual and ideological best, The Dark Knight Rises successfully caps an end to Nolan’s ground breaking  Batman series with a tale of good vs. evil set in a world plunged into  darkness. Set 8 years after The  Dark Knight, the film opens on a Gotham City that has rid  itself of its crime element and of the vigilante Batman, with a physically and  spiritually wounded Bruce Wayne secluded in his mansion. When mysterious  terrorist leader Bane (Tom Hardy) puts into action a plan to destroy Gotham  City, Batman rises from the shadows to fight this new scourge. Clocking in at 2  hours and 44 minutes, there is a lot to consume in The Dark Knight Rises, but the  quality of its content is of such high value that every minute is worth  digesting, with Nolan proving himself a filmmaker able to merge ideas with  spectacle.      |  
                        | #32 | 
                          THE PIANIST (2002)
                         |  
                        |  | CASTADRIEN BRODY, FRANK FINLAY, EMILIA FOX, THOMAS KRETSCHMANN,  MAUREEN LIPMAN
 DIRECTED  BYROMAN POLANSKI
 Many have said that The Pianist trumps Schindler’s  List as the film about the Holocaust, and with  good reason.  Based on Wladyslaw  Szpilman’s true life tale of survival against impossible odds, along with  director Roman Polanski’s experiences as a youth in Polish city of Krakow (his  mother died in Aushwitz), The Pianist stars  Adrien Brody as Szpilman, a Polish piano prodigy who evaded capture by the  Nazi’s by hiding in the ruins of Warsaw.  One of Polanski’s  best works, The Pianist excels as  both a stirring war time drama and technical achievement, with Pawel Edelman’s  photography and Allan Starski’s art direction transporting the viewer to an  unimaginable event in human history, Adrien Brody’s Oscar winning turn as  Szpilman the human face amongst the monstrosity.        |  
                        | #31 | CHINATOWN (1974) |  
                        |  | CASTJACK NICHOLSON, FAYE DUNAWAY, JOHN HUSTON, DIANE LADD
 DIRECTED  BYROMAN POLANSKI
 Roman Polanski’s neo-noir  mystery Chinatown still remains one of his best  films, with many thanks to Robert Towne’s screenplay fool of rich, complex  characters and well-paced suspense.  The film stars Jack  Nicholson as private eye Jake Gittes. Hired by the seductive Evelyn Mulwray (Faye  Dunaway) to investigate her husbands alleged adultery, Gittes is instead drawn  into darker territory where deceit, corruption, and even murder take place. Nicholson is  excellent in one of his signature performances, possessing an old school charm  that can give way to a wild rebellion at any time. Great too is Dunaway who  portrays her extremely complex character with a cool elegance. Yet the real  star here is Polanski, who with Chinatown has made a film of stylish cool that  cloaks a sinister darkness.      |      |  |