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                        | #20 | INTO THE WILD (2007) |  
                        |  | CASTEMILE HIRSCH, MARCIA  GAY HARDEN, HAL HOLBROOK, WILLIAM HURT, CATHERINE KEENER, JENA MALONE, KRISTEN  STEWART, VINCE VAUGHN
 DIRECTED BYSEAN PENN
 Into the Wild is an uplifting and enriching cautionary tale about one man's spiritual  adventure on the road and in the wilderness. Based on the true  story, a truly exceptional Emile Hirsch stars as Christopher McCandless, a  young man who - in an attempt to rid himself of the bureaucracy and materialism  of modern society – embarked on a quest to live in the harsh serenity of the  Alaskan wilderness. A passion project  for writer/director Sean Penn, the Oscar winning actor brilliantly adapts Jon  Krakauer's book to the big screen while not falling into the trap of portraying  McCandless as a messiah or glamorizing his vagabond lifestyle, creating an  astonishing piece of cinema in the process.     
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                        | #19 | 
                          RAGING BULL (1980)
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                        |  | CASTROBERT DE NIRO, CATHY  MORIARTY, JOE PESCI, FRANK VINCENT
 DIRECTED BYMARTIN SCORSESE
 A comeback movie of  sorts for famed director Martin Scorsese, Raging  Bull re-established the now iconic filmmaker as a director of importance and  unwatchable style. The film tells the  true story of middle weight boxing champion Jake La Motta (Robert De Niro),  whose brutal reputation within the ring is matched by that outside, with La  Motta one of the scariest and unpredictable figures to populate Scorsese’s  world of hard men. Shot in black and  white, Scorsese effectively portrays the brutality of La Motta’s life with a  beautiful artistry and emotional powerful that has rarely been matched. De Niro’s dedication  to his performance as La Motta is a thing of legend, as are the end results in  what has to be the most physically prepared and emotionally draining  performance committed to the big screen.        |  
                        | #18 | 
                          APOCALYPSE NOW (1979)
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                        |  | CASTMARTIN SHEEN, SAM BOTTOMS, MARLON BRANDO, ROBERT DUVALL, LAWRENCE FISHBURNE, FREDERIC  FORREST, DENNIS HOPPER
 DIRECTED BYFRANCIS FORD COPPOLA
 It takes balls to  say that your film is war personified. Yet that is exactly what director  Francis Ford Coppola boldly stated, laying claim that his Apocalypse  Now is not about the Vietnam war, but is the Vietnam  war. 
 Granted, the production was a battlefield in its own right, with Coppola  fighting against a less than co-operative Philippines government, mother  nature, and the destructive personalities of actors Martin Sheen and Marlon  Brando.
 
 But Apocalypse  Now is much more than a bunch of actors playing war in the  jungle to the drum of a director at breaking point: it is madness made writ set  amongst the backdrop of Vietnam, with Sheen’s Captain Willard assigned to  assassinate Brando’s Col. Kurtz with “extreme prejudice”, his journey up river  to Kurtz’s Cambodian compound unleashing the horror of war.
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                        | #17 | SCHINDLER’S LIST (1993) |  
                        |  | CASTLIAM NEESON, RALPH FIENNES, BEN KINGSLEY, EMBRTH DAVIDTZ,  CAROLINE GOODALL
 DIRECTED  BYSTEVEN SPIELBERG
 In the history of  cinema, perhaps no other image struck a chord as devastatingly simple as a  young girl with a red coat, set upon a black and white backdrop, running  amongst the madness which was the liquidation of the Warsaw ghetto. 
 It is one of many moments in Schindler’s List that still makes it a film of  immensely powerful significance, and cemented Steven Spielberg’s reputation as  one of the best filmmakers of all time and a voice for the 6 million Jews who  died during WWII.
 
 Yet perhaps most  important of all, Schindler’s List brought forth the actions of one Oskar  Schindler, a brave soul who used the very same ingenuity and drive with which  he made a profit from the war, to become a saviour to almost 1200 Jews marked  for death, leading credence to the Talmudic quotation, "Whoever saves one  life saves the world entire."
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                        | #16 | 
                          THE DEPARTED (2006)
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                        |  | CASTLEONARDO DI CAPRIO, MATT DAMON, JACK NICHOLSON, VERA FARMIGA, MARTIN SHEEN,  MARK WHALBERG
 DIRECTED BY MARTIN SCORSESE
 Urban film making  at its best, The  Departed is a  brutally violent, beautifully crafted, and incredibly well acted piece of film  making that will leave you reeling. Directed by the  legendary Martin Scorsese, this remake of Infernal  Affairs comes off the better film due Scorsese’s deft  hand at the gangster genre, the career defining performances from every member  of its stellar cast, and a fine screenplay by William Monahan, who astutely  adapted the original films Hong Kong setting to the mean streets of Boston,  while building upon its themes of betrayal and redemption. Leonardo DiCaprio  and Matt Damon are excellent as cops on opposites sides of law, yet it is Jack  Nicholson who steals the show as Frank Costello, the sadistic mob boss whose  un-PC, unpredictable nature the perfect treat for Nicholson to sink his teeth  into, which he does with much ferocity turning in one of his best performances  in the process.     |  
                        | #15 | PATHS OF GLORY (1957) |  
                        |  | CASTKIRK DOUGLAS, TIMOTHY CAREY, GEORGE MACREADY, RALPH MEEKER,  ADOLPHE MENJOU
 DIRECTED  BYSTANLEY KUBRICK
 One of the most  powerful and memorable war films ever made, Stanley Kubrick’s Paths of Glory is not so much an indictment of war  and the military, but more of a critical look at the abuses of justice by those  who hold the power of authority.  
 Set in France, 1916, the film tells the true life story of three French  soldiers placed on trial for cowardice, and the commanding officer (Kirk  Douglas) assigned to defend them against impossible odds. As well as featuring  a number of heavy moral and ethical themes, the film also displays a rich eye  for detail with its impressive set design and authentic looking costumes.
 
 Although it is one of his much earlier works, Stanley Kubrick displays  masterful direction as shown in a number of key scenes, most notably a fluid  tracking shot in the French trenches. Its simple yet heartbreaking conclusion  leaves an undeniable sense of mourning for the events that has preceded it, and  will linger in the souls of those who have watched this remarkable film.
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                        | #14 | ALL THE PRESIDENT’S MEN (1976) |  
                        |  | CASTDUSTIN HOFFMAN, ROBERT REDFORD, JASON ROBARDS, JACK WARDEN,  HAL HOLBROOK
 DIRECTED  BYALAN J. PAKULA
 Chronicling the  unearthing of the Watergate scandal which would lead to the impeachment of  President Richard Nixon, All the President’s Men is a thinking man’s conspiracy  thriller that is not weighed down by the mass of its information, and will keep  many glued to the screen as to what revelation will be revealed in this pursuit  for the truth by Washington Post journalists Bob Woodward (Robert Redford) and  Carl Bernstein (Dustin Hoffman). Tense in tone and  mesmerising in structure, director Alan J. Pakula includes every deadline, dead  end, and death threat these two ambitious reporters encounter without  jeopardising the thrills and mystery that makes All the President’s Men such a suspenseful watch, as a  conspiracy that leads all the way to the White House is revealed and a  president is stood down.     
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                        | #13 | 
                          THE EMPIRE STRIKES BACK (1980)
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                        |  | CASTMARK HAMILL, HARRISON FORD, CARRIE FISCHER, BILLY DEE  WILLIAMS, JAMES EARL JONES
 DIRECTED  BYIRVIN KERSHNER
 This excellent  follow up to Star Wars is an altogether darker  film, yet still filled with the fun sci-fi adventure and classic riffs on the  eternal confrontation between good and evil that made the first film such an  engrossing watch.  Plot wise this  Irvin Kershner directed sequel follows young Jedi prodigy Luke Skywalker (Mark  Hamill) as he is taught the ways of The Force by master Jedi Yoda (his debut!).  Meanwhile Han Solo (Harrison Ford) and crew are hounded by the merciless Darth  Vader. That the film ends  on such a shocking downer does not take away The Empire Strikes Back standing as one of the most celebrated and  loved adventure stories of all time, nor does the irony that perhaps the best Star Wars movie was not directed by  George Lucas.     |  
                        | #12 | 
                          THE TREE OF LIFE (2011)
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                        |  | CASTJESSICA CHASTAIN, HUNER McCRACKEN, SEAN PITT, BRAD PITT
 DIRECTED  BYTERRENCE MALICK
 Has there ever bee  as complex, polarising, and confident a film as The  Tree of Life? Director Terrence Malick is not one to create  straight forward movies, and in his limited yet bountiful filmography of  complex works The Tree of Life is his masterpiece. Both grand and  intimate, Malick’s exploration into the relationship between man, God, and  nature is one of assured conviction in both its ideas and its imagery. Whether  it is the scenes of a family eating dinner or the creation of the universe  unfolding before our eyes, there is not one frame or hushed narration that  doesn’t belong. Performances also  impress with Brad Pitt and Jessica Chastain giving soulful turns as the parents  of a young Texan family, who take centre stage in Malick’s theologically rich  submergence into the divinity of nature, and the nature of the divine. Simply  stunning.     |  
                        | #11 | 
                          STAR WARS (1977)
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                        |  | CASTMARK HAMMIL, HARRISON FORD, CARRIE FISCHER, ANTHONY DANIELS,  JAMES EARL JONES
 DIRECTED BYGEORGE LUCAS
 The film that took  blockbuster filmmaking to heights never thought, Star Wars couples brilliantly filmmaking craftsmanship with an exciting  story of good versus evil in the far reaches of space. The brainchild of  one George Lucas, Star Wars tells  the story of a rebel alliance doing battle against an evil empire, led by the  sinister Darth Vader. Joining the battle is farmhand Luke Skywalker (Mark  Hammil) and his brave warrior mentor Obi-Wan Kenobi (Alec Guinness). Iconic characters, masterful  set and production design, innovative special effects, and a story for the ages  all combine to make not only a film, but a pop culture movement that still  holds a strong power.      |      |  |