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                        | #120 | THE LAST SAMURAI (2003) |  
                        |  | CASTTOM CRUISE, BILLY  CONNOLY, TONY GOLDWYN, KOYUKI, HIROYUKI SANADA, TIMOTHY SPALL, KEN WATTANABE
 DIRECTED BYEDWARD ZWICK
 Director Edward  Zwick has a knack for making a great war movie, and his best yet is The Last Samurai, a staggeringly  crafted and exceptionally portrayed historical epic that still does not get  enough love. Set in 19th  century Japan, the film stars a tremendous Tom Cruise as haunted civil war  veteran Nathan Algren, who after being hired to train the new Imperial Japanese  Army instead falls in with the rebelling samurai he was paid to kill, among  them samurai leader Katsumoto (Ken Wattanabe). Cruise’s performance may just well be his most complete yet,  with its coupling of action and drama combined with a quiet yet powerful  soulfulness. Zwick in turn creates a thoughtful and spirited movie of sweeping  visuals and undeniable charisma.     
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                        | #119 | 
                          THE REVENANT (2015)
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                        |  | CASTLEONARDO DICAPRIO,  TOM HARDY, DOMHNALL GLEESON, FORREST GOODLUCK, WILL POULTER
 DIRECTED BYALEJANDRO GONZALEZ  INNARITU
 It was a large task  for director Alejandro Gonzalez Innatiru to follow up his Oscar winning Birdman,  yet he did just that with an even more technically impressive and overall better  film in The Revenant.  Loosely based on  the legend of frontiersman Hugh Glass, The  Revenant stars DiCaprio as a fur trapper left for dead (the result of a  bear mauling) after he witnesses the death of his son by the hand of criminal  Fitzgerald (Tom Hardy, menacing).  Swearing revenge,  he pursues Fitzgerald in this gritty story that sucks its audience into a world  of snow, blood and grizzly vengeance, and astounds with its epic scope that  makes 3D look like the chump change novelty that it is. Throughout it all  DiCaprio delivers the performance of a lifetime in a grunting, grinding,  spitting, all-in physical performance that is complemented by the portrayal of  a soul wounded by hardship and tragedy.      |  
                        | #118 | 
                          KILLING THEM SOFLTY  (2012)
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                        |  | CASTBRAD PITT, JAMES  GANDOLFINI, RICHARD JENKINS, RAY LIOTTA, SCOOT McNAIRY, BEN MEDOLSOHN
 DIRECTED BYANDREW DOMINICK
 A sure to be crime  classic that is as thought provoking in its themes as it is visually and  narratively absorbing, Killing Them  Softly continues to establish director Andrew Dominick as a creative force  to be reckoned with. Brad Pitt stars as  Jackie Cogan, a hitman brought in by the mob to investigate and dispense with  the sad souls (Scoot McNairy and Ben Mendelsohn, both excellent) who thought it  wise to knock off a mob backed card game. While the theme of  gangsters and capitalism is hardly new (The Godfather and Scarface being prime examples), recent fiscal history adds weight to Killing Them Softly with the stakes  high in an “industry” where crime still must pay even in a recession. Dominick  makes it all work, and does so with unmistakable style.         |  
                        | #117 | DAWN OF THE PLANET OF THE APES (2014) |  
                        |  | CASTJASON CLARKE, ANDY SERKIS, TOBY KEBBELL, GARY OLDMAN, KERI  RUSSELL, KODY SMIT-McPHEE
 DIRECTED  BYMATT REEVES
 There have been a  number of significant chapters in the history of prominent visual effects  cinema. In 2014 another was written with the arrival of Dawn of the Planet of the Apes. While the films  predecessor Rise of the Planet of the Apes was in itself a significant work, Dawn... took things to a whole new level in  attaining that ever elusive perfection of blending the digital with the real,  with those wickedly marvellous wizards from WETA outdoing previous efforts. Yet any blockbuster  can have stellar FX work; it's the emotion -heart filled, powerful, profound-  that pulsates throughout Dawn... and makes it that much more special,  with the continued evolution of genetically modified ape Ceaser (Andy Serkis,  the Marlon Brando of stop motion acting) one that engrosses & thrills in  his journey as the leader of an advanced species poised to rule the world. Making it all work  is director Matt Reeves, who excelled in creating a movie that is large in  scale and deep in feeling.      |  
                        | #116 | MONSTERS INC (2001) |  
                        |  | CASTBILLY CRYSTAL, JOHN GOODMAN, STEVE BUSCEMI, JAMES COBURN,  JENNIFER TILLY
 DIRECTED  BYPETE DOCTER
 One of Pixar’s  greatest assets is their ability to assemble great voice talent to help bring  their animated creations to life.  Cue Monsters Inc. where the dynamic  duo of Billy Crystal and John Goodman provide an abundance of wit and  sensitivity to their roles of Mike and Sully, monstrous best friends turned  guardians of a human child who could bring an end to their humans-free world.  Excellent  animation, thrilling action set pieces and a truly menacing villain in Steve  Buscemi’s reptilian Randall round out this most touching and hair-raising of  animated flicks.     |  
                        | #115 | ETERNAL SUNSHINE OF THE SPOTLESS OF MIND (2001) |  
                        |  | CASTJIM CARREY, KATE  WINSLET, KIRSTEN DUNST, MARK RUFFALO, TOM WILKINSON, ELIJAH WOOD
 DIRECTED BYMICHEL GONDRY
 The combined talents  of director Michel Gondry and writer Charlie Kauffman resulted in Eternal Sunshine of the Spotless Mind,  a brilliant mindbender of a film that never loses focus of its central love  story. Jim Carrey and Kate  Winslet star as Joel and Clementine, a recently separated couple who undergo a  ground breaking procedure that can erase unpleasant memories from their brain  (in other words, one another).  Yet it’s only  through this process of loss do the contentious couple realise their true  feelings for one another, Kauffman and Gondry doing an excellent job in taking  us into the mind and heart of a romance beautifully portrayed by Carey and  Winslet.         |  
                        | #114 | CASABLANCA (1942) |  
                        |  | CASTHUMPHREY BOGART,  INGRID BERGMAN, PAUL HENREID, CLAUDE RAINS, CONRAD VEIDT
 DIRECTED BYMICHAEL CURTIZ
 When it comes to  the term “Hollywood romance”, the quintessential film that fits the bill is none  other than Casablanca. Directed by the  legendary Michael Curtiz, this WWII set drama stars Humphrey Bogart as Rick, a  cynical American expatriate whose steady life running a nightclub in Casablanca  is turned on its head when his one true love (Ingrid Bergman) returns with many  complications in tow.  Filled with memorable  dialogue and legend making performances, Casablanca continues to stamp its authority as an iconic movie where its romance is  genuinely felt, its thrills pitch perfect in its suspense, and its characters beautifully  written and portrayed.        
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                        | #113 | 
                          WALL-E (2008)
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                        |  | CASTBEN BURTT, JEFF GARLIN, ELISSA KNIGHT, SIGOURNEY WEAVER,  FRED WILLARD
 DIRECTED  BYANDREW STANTON
 Leave it to the  masterminds at Pixar to have its two protagonists – a pair of robots who fall  in love - to show the beauty, flaws, and potential for redemption in humanity.  As relevant as it  is breathtaking, WALL-E slyly mixes social commentary in  regards to issues of the environment with a touching love story between lonely  lovelorn WALL-E and his EVE, who must battle many an obstacle in order to stay  together.   Sound effects  wizard Ben Burtt has the title character brimming with life via an assortment  of bells and whistles, melting many a heart with his tenacious and unflinching  determination in the face of adversity.        |  
                        | #112 | 
                          SIN CITY (2005)
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                        |  | CASTJESSICA ALBA, BENICIO DEL TORO, CLIVE OWEN, MICKEY ROURKE,  BRUCE WILLIS
 DIRECTED  BYFRANK MILLER, ROBERT RODRIGUEZ
 Frank Miller’s  iconic comic series Sin City is so stylishly and narratively dense,  that it took two visionaries to bring it to life in Miller himself and top  notch genre director Robert Rodriguez. The result is a spectacular piece of  violent pop art, black and white with plenty of red crimson splatter for good  measure. Plot wise Sin City focuses on three different stories all  set in the same rain soaked, neo-noir infused world of tortured anti-heroes,  tough talking dames and sicko villains played by an ensemble cast including  Bruce Willis, Clive Owen, Jessica Alba and a scene stealing Mickey Rourke as  the tough as nails Marv. With its release a  new bar was raised in how a comic book movie should be made, especially one as  violent, pulpy and dark as Sin City.        |  
                        | #111 | THE APARTMENT (1960) |  
                        |  | CASTJACK LEMMON,  SHIRLEY MacLAINE, JACK KRUSCHEN, FRED MACMURRAY, NAOMI STEVENS
 DIRECTED BYBILLY WILDER
 A perfect mix of  comedy, drama, and romance, The Apartment showcases writer/director Billy Wilder  at the peak of his creative talent. A perfectly cast Jack  Lemmon stars as insurance accountant C.C. Baxter, who in the hopes of landing a  promotion loans out his apartment to his philandering boss (Fred MacMurray in  an against type role), who needs a place to fool around with his mistress Fran  Kubelick (played by Shirley MacLaine with infectious sass and naturalism). Not your standard  screwball romantic comedy, The Apartment contains a depth and humanity not found in any other films of its ilk.      |      |  |