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                        | #100 | SINGIN’IN THE RAIN (1952) |  
                        |  | CASTGENE KELLY, DAVID O’CONNOR,  DEBBIE REYNOLDS, CYD CHARISSE, JEAN HAGEN, MILLARD MITCHELL
 DIRECTED BYSTANLEY DONEN, GENE  KELLY
 A delightful  tapestry of colour, song and romance, Singin’ in the Rain stands as one of the  great (if not greatest) musicals with good reason. Set in 1920s  Hollywood, the film focuses on three performers (Gene Kelly, David O’Connor,  Debbie Reynolds) as they learn that their film studio will transition from  silent films to “talkies”. The superhuman  Kelly is simply on fire here as both performer and director of the films extravagant  dance sequences.      
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                        | #99 | 
                          SUNSET BLVD. (1950)
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                        |  | CASTWILLIAM HOLDEN,  GLORIA SWANSON, FRED CLARK, NANCY OLSON, ERICH VON STROHEIM
 DIRECTED BYWILLIAM WILDER
 Billy Wilder’s Sunset Blvd. is a film that is both a sterling  tribute to the legends of Hollywood’s silent era, and a damnation of the power  brokers behind the silver screen who kicked their elder stars to the curb, only  to be forgotten in time.      The film stars William Holden as struggling Hollywood screen writer Joe Gilles,  who falls in with faded star of the silent era and suicidal shut in Norma  Desmond (played by real life silent screen star Gloria Swanson). Swanson’s  performance as a sad figure wrapped in a villainous cocoon and a demented frame  of mind is especially outstanding, in this masterful film-noir from one of  Hollywood’s great filmmakers.     |  
                        | #98 | 
                          THE CASTLE (1997)
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                        |  | CASTMICHAEL CATON, STEPHEN CURRY, SOPHIE LEE, ANNE TENNEY,  TIRIEL MORA, ERIC BANA, CHARLES ‘BUD’ TINGWELL
 DIRECTED  BYROB SITCH
 The debut film from  the Working Dog Productions team (among them writer and director Rob Sitch) marked  not only the arrival of Australia’s best comedic film, but also created a shift in Aussie lingo  with its many catch phrases (“Tell ‘em their dreaming”, “Love the serenity”)  thrown about with many a chuckle. The Castle tells the story of Daryl Kerrigan (Michael  Caton), a proud family man who takes on the government when they forcefully try  to take his home situated right next to Melbourne airport. With a cracking  script, brilliant performances and its beautifully portrayed message about the  lengths a man will go to protect his home and the family within, The Castle is  heartfelt and extremely funny.       |  
                        | #97 | MONEYBALL (2011) |  
                        |  | CASTBRAD PITT, STEPHEN BISHOP, JONAH HILL, PHILIP SEYMOUR  HOFFMAN, CHRIS PRATT, ROBIN WRIGHT
 DIRECTED  BYBENNETT MILLER
 The baseball movie  has become a fixture in America cinema. Field of Dreamshad a  spiritual spin. Bull Durham brought sex to the occasion. A  League of Their Own took  on gender politics. Moneyball delved behind the scenes in its  portrayal of how Oakland Athletics general manager Billy Bean (Brad Pitt)  transformed the game by taking innovation over tradition in his use of  analytics to build a winning ball team. That a film about  the mathematics of a sport which barely registers outside of the U.S. can be so  engrossing is something of a miracle, yet that is what happens when a great  (not to mention underrated) director like Bennett Miller is handed a script by  power duo Aaron Sorkin and Steve Zaillian.  With Brad Pitt out  front hitting a home run in each scene with a naturalistic performance, it is of  no wonder why Moneyball is such a winner.     |  
                        | #96 | 
                          WARRIOR (2011)
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                        |  | CASTJOEL EDGERTON, TOM HARDY, KEVIN DUNN, FRANK GRILLO,  JENNIFER MORRISON, NICK NOLTE
 DIRECTED  BYGAVIN O’CONNOR
 In the pantheon of  macho films that can make men cry like babies, Warrior ranks high.  While the film was  promoted as a blue collar MMA fight picture, Warrior is  in fact so much more. Directed by Gavin O’Connor (one of the best un-sung  filmmakers working today), the film starred Joel Edgerton and Tom Hardy and  Brendan and Tommy Conlon, estranged brothers whose one connection is there  mutual disdain for their alcoholic father (Nick Nolte). Although the  knock-down, drag out slugfests in the cage are thrilling, the real battles are  found outside the ring where this broken family find a way to mend their wounds  through courage, forgiveness and love. The excellent performances from  Edgerton, Hardy and especially Nolte, to go along with O’Connor’s excellent  direction makes Warrior special  blend of blood, will, and tears work so well.     |  
                        | #95 | INCEPTION (2010) |  
                        |  | CASTLEONARDO DICAPRIO, MARION COTILLARD, TOM HARDY, JOSEPH  GODON LEVITT, CILLIAN MURPHY, ELLEN PAGE, KEN WATTANABE
 DIRECTED  BYCHRISTOPHER NOLAN
 Christopher Nolan’s Inception is an intellectually  stimulating, visually enthralling blockbuster, of which Nolan has refined and  perfected of his stellar career (thus far). While the films  groundbreaking, mind bending visuals are a thing to wonder, the strength of  Inception lies in the emotional core in its story of a thief and widowed father  Cobb (Leonardo DiCaprio), who continues to deal with the grief of losing his  wife (Marion Cotillard) while yearning to reunite with his children.  Nolan’s ability to  blend the epic with the intimate is perfectly exemplified in Inception, a one  of a kind cinematic experience which demands repeated viewings to absorb its  impressive scope.       |  
                        | #94 | THE USUAL SUSPECTS (1995) |  
                        |  | CASTGABRIEL BYRNE,  STEPHEN BALDWIN, BENICIO DEL TORO, CHAZZ PALMINTERI, KEVIN POLLAK, PETE  POSTLETHWAITE, KEVIN SPACEY
 DIRECTED BYBRYAN SINGER
 A taut thriller  wrapped in a mystery and delivered with exceptional storytelling flair, The Usual Suspects still stands as one  of the best of its genre. When five criminals  are randomly brought together, little do they know that their fates have been  written by an unknown figure hiding in the shadows, leading to what has to be  one of the best plot twists in film history. Director Bryan  Singer does an excellent job in pulling the strings of his audience, resulting  in a film that’s as expert in its manipulations as it is enthrallingly  entertaining.       
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                        | #93 | 
                          REQUIEM FOR A DREAM  (2000)
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                        |  | CASTELLEN BURSTYN, JENNIFER CONNELLY, JARED LETO, DAMON WAYANS
 DIRECTED  BYDARREN ARONOFSKY
 A dark and  disturbing anti-drug movie, Requiem  for a Dream delves  into the deep dark pit of drug addiction in its portrayal of four lost souls  haunted by their selective poison. Directed by Darren  Aronofsky with an unflinching emotional grittiness and undeniable visual power, Requiem for a Dream features career  defining performances by Jared Leto, Jennifer Connelly, and especially Ellen  Burstyn who delivers a gut wrenching and heart breaking turn that solidifies  her status as one of the best to grace the screen.  The films portrayal  of the destruction of mind, body and spirit (with its last 20 minutes especially  sure to induce nightmares) will be too intense for some, but there is no  denying the raw power and breathtaking craft which Aronofsky delivers.     |  
                        | #92 | 
                          BEN-HUR (1959)
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                        |  | CASTCHARLTON HESTON, STEPHEN  BOYD, HUGH GRIFFITH, HAYA HARAREET, JACK HAWKINS, CATHY O’DONNELL, MARTHA SCOTT
 DIRECTED BYWILLIAM WYLER
 Ben-Hur is the ultimate representation of the great, big, classic Hollywood  extravaganza movie. It is also a  powerful story of Judah Ben-Hur (Charlton Heston in all of his hammy glory), a  prince of Jerusalem who after being falsely imprisoned by Roman commander  Messala (Stephen Boyd), escapes his unjust confines and seeks revenge. Director William  Wyler brilliantly captures the incredible size and craftsmanship on display in  this most epic of films, while Charlton Heston stamps his claim as a movie star  for the ages.        |  
                        | #91 | A PROPHET (2010) |  
                        |  | CASTTAHIR RAHIM, NIELS ARESTRUP, ADEL BENCHERIF, REDA KATEB,  HICHEM YACOUBI
 DIRECTED  BYJACQUES  AUDIARD
 A French language  crime drama that is suitably ferocious in its depiction of violence and  arresting in its character development, A  Prophet is as captivating and confronting a film of its ilk that you will  find.  An excellent Tahir  Rahim stars as Malik, a 19-year-old French Muslim who uses his intelligence and  penchant for violence to slowly ascend from isolated prisoner to mafia kingpin.  Opting for brutal  realism and character development rather than Scarface-esque theatrics,  director/co-writer Jacques Audiard mixes genre thrills with social realist  drama to make for an arresting sure-to-be gangster classic.     |      |  |