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                        | #30 | TAXI DRIVER (1976) |  
                        |  | CASTROBERT DE NIRO, PETER  BOYLE, ALBERT BROOKS, JODIE FOSTER, HARVEY KEITEL, CYBIL SHEPHERD
 DIRECTED BYMARTIN SCORSESE
 A raw, gritty tale  of loneliness and despair set against the seedy streets of New York City, Taxi Driver continues to live up to its reputation  as an extremely influential piece of cinema.  Robert De Niro  stars as Travis Bickle, a Vietnam veteran who takes a job as a New York taxi  driver. As his attempts to become a part of society back fire, Travis becomes  even more isolated as he decides to take out the "scum of the earth"  that fill the city once and for all, his befriending a child prostitute (Jodie  Foster) taking him over the edge. De Niro is  perfectly cast as Travis, creating from the ground up a frightening study of  quiet intensity and murderous rage, the demons inside his head never letting  go. Director Martin Scorsese uses the camera to illustrate Travis' point of  view, giving insight into the madness that has gripped him as he slowly turns  into an angel of death.      
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                        | #29 | 
                          SAVING PRIVATE RYAN (1998)
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                        |  | CASTTOM HANKS, EDWARD BURNS, MATT DAMON, VIN DIESEL, TOM  SIZEMORE
 DIRECTED  BYSTEVEN SPIELBERG
 Has there ever been  a more powerful opening 20 min in film? Before Steven Spielberg unleashed hell  on earth in his brutal depiction of the D-Day Invasion, the war genre in  general was not a big draw, yet Saving Private Ryan brought it back in unrelenting fashion. Its story of a  group of US soldiers (led by Tom Hanks) sent on a mission to retrieve a  paratrooper (Matt Damon) whose brothers have been killed in combat is one where  incredible action filmmaking sits comfortably alongside moving dramatic  moments. 
 World War II is a subject near and dear to Speilberg’s heart and Saving Private Ryan was his tribute to the Greatest  Generation. Since its release, brutal realism in the war genre has become a  must. But few match the power seen here.
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                        | #28 | 
                          THE LORD OF THE RINGS: THE TWO TOWERS (2002)
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                        |  | CASTSEAN ASTIN, ORLANDO  BLOOM, IAN McKELLEN, VIGGO MORTENSEN, MIRANDO OTTO, ANDY SERKIS, LIV TYLER,  HUGO WEAVING, ELIJAH WOOD
 DIRECTED BYPETER JACKSON
 The second entry in The Lord of the Rings trilogy takes  reign as the best. With the  pleasantries of …The Fellowship of the Ring out of the way, director Peter  Jackson throws us into the thick of a battle between good and evil, that  culminates in a masterfully choreographed and captured battle sequence. The introduction of  one of the best VFX creations to grace the screen in the form of decrepit, two  faced Gollum (played brilliantly by Andy Serkis) ups the stakes in an adventure  where the fate of the world lies in the balance.        |  
                        | #27 | DOG DAY AFTERNOON (1975) |  
                        |  | CASTAL PACINO, JOHN CAZALE, CHARLES DURNING, CHRIS SARANDON,  PENELOPE ALLEN
 DIRECTED  BYSIDNEY LUMET
 Sidney Lumet’s  second and final collaboration with Al Pacino, Dog Day Afternoon proved  that reality is indeed stranger than fiction.  Based on a true  life incident, the film starred Pacino as bumbling bank robber Sonny Wortzik, who  became a celebrity when his stick up of a bank quickly became a hostage  situation, drawing the ire of every cop in New York City and the attention of a  salivating media.  As Sonny, Pacino  delivers one of his best turns that is equally funny and tragic. Meanwhile  Lumet effectively mixes dark comedy with crippling tension, to go along with a  commentary about celebrity in the TV age.       |  
                        | #26 | 
                          ZODIAC (2007)
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                        |  | CASTJAKE GYLLANHAAL, MARK RUFFALO, ROBERT DOWNEY JR., ELIAS  KOSTEAS, ANTHONY EDWARDS
 DIRECTED  BYDAVID FINCHER
 A sprawling,  intelligent and engrossing mystery that is as horrifying as it is addictive, Zodiac displays director David Fincher  at his technically sound, storytelling best in his gripping portrait of the  time when a madman had the San Francisco Bay Area gripped in fear. As well as being a  top rate thriller, Zodiac is also a tale of obsession told through the  investigations of a detective (Mark Ruffalo), a journalist (Robert Downey Jr),  and a cartoonist (Jake Gyllenhaal), who oddly enough came closer than anyone in  solving the mystery. Fincher’s  methodical approach and knack for the visual left no stone unturned in his  recreation of these events and the environment they were set in, resulting in  an historical thriller with little equal.     |  
                        | #25 | THE MATRIX (1999) |  
                        |  | CASTKEANU REEVES, LAURENCE  FISHBURNE, GLORIA FOSTER, CARRIE-ANNE MOSS, JOE PANTOLIANO, HUGO WEAVING
 DIRECTED BYLANA WACHOWSKI,  LILLY WACHOWSKI
 A ground breaking  achievement in the sc-fi and action genres, The Matrix still stands as an innovative and enthralling spectacle unlike  any other. Keanu Reeves (in  perhaps his best role) stars as Neo, a computer hacker who is believed to be  the saviour of a world hiding behind an illusion. Removed from the facade of  the world as we know it, Neo joins an army of rebels in a revolt against the  machines who have enslaved humanity. Directors Lana and  Lilly Wachowski deliver a film that is as unique as it is mind blowing  entertaining, as a blend of genres and state of the art filmmaking combine to  make the greatest action film of all time.     |  
                        | #24 | 12 YEARS A SLAVE (2013) |  
                        |  | CASTCHIWETEL ELJIOFOR, BENEDICT CUMBERBATCH, PAUL DANO, MICHAEL  FASSBENDER, LUPITA NYONG’O, SARAH PAULSON, BRAD PITT
 DIRECTED  BYSTEVE McQUEEN
 Much like Schindler’s  List before it, 12 years a Slave is not only a powerful reminder of  what was once and should never be again, but it is also a masterfully made  film, a perfect blend of the artistic, the technical and the heartfelt.  It is also filled  with remarkable performances, especially by Chiwetel Eljiofor who delivers a  mournful, soul shattering turn that hauntingly exemplifies the tragedy and heroism  of Solomon Northup. In only his third  feature film, Steve McQueen has created a movie that transcends its medium with  concise voice, concise vision and concise message. As powerful and illuminating  a film as they come, 12 Years a  Slave should be  seen and embraced by all.     
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                        | #23 | 
                          SENNA (2011)
                         |  
                        |  | FEATURINGARYTON SENNA, ALAIN PROST
 DIRECTED  BYASIF KAPADIA
 What makes a man a  legend? That is the basic theme of Senna, an engrossing look into the life and  exploits of Formula One driver Aryton Senna whose passion for his sport and  obsession to win made him a highly controversial and respected figure in motor  racing. The biggest  surprise to Senna’s legacy was his spirituality, with the Brazilian believing  the hand of God led the way during his races. This led many to labelling him  arrogant and dangerous, especially arch rival Alain Prost. Yet such are the  complexities of this man whose presence is felt throughout Senna, with director Asif Kapadia wading  through mountains of footage to create a hypnotic film about obsession, passion  and arrogance in action, presenting just what it takes to become a God amongst  men.     |  
                        | #22 | 
                          RESERVOIR DOGS (1992)
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                        |  | CAST HARVEY KEITEL, TIM ROTH, MICHAEL MADSEN, CHRIS PENN, STEVE  BUSCEMI, LAURENCE TIERNEY
 DIRECTED  BY QUENTIN TARANTINO
 A blood soaked  modern crime classic, Quentin Tarantino’s ground breaking Reservoir  Dogs features a cracking  script delivered by an exceptional cast, resurrecting the forever underrated  Harvey Keitel, and introducing the world to the likes of Tim Roth, Steve  Buscemi, and Michael Madsen. The plot concerns  six strangers brought together by crime boss Joe Cabot (Lawrence Tierney) to  rob a jewellery store of its diamonds. After the robbery goes horribly wrong,  confusion reigns at the rendezvous point where they believe there is a rat  within their ranks. Tarantino is a  filmmaker who wears his influences on his sleeve (Martin Scorsese, Sam  Peckinpah) yet he also brings his own hyperkinetic energy to the proceedings.  This is especially felt though his writing which is sharp, funny, and rather  brilliantly threads in pop references galore. Also, a groovy soundtrack  adequately heightens key scenes while providing toe tapping enjoyment.     |  
                        | #21 | 
                          MEMENTO (2000)
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                        |  | CASTGUY PEARCE, MARK  BOONE JUNIOR, RUSS FEGA, CARRIE-ANNE MOSS, JOE PANTOLIANO, STEPHEN TOBOLOWSKY
 DIRECTED BYCHRISTOPHER NOLAN
 Christopher Nolan’s  second feature still remains his best, with Memento a gripping, intelligent and innovative mystery thriller. Guy Pearce stars as  Leonard, a man seeking revenge for the rape and murder of his wife. Leonard  also has no short-term memory, relying on the tattoo’s adorned all over his  body to guide his investigation into who made his life a living hell. As much a tale of  obsessions as it is a mystery with more twists and turns than a rollercoaster,  Nolan successfully navigates his audience (without showing to much of his hand)  in piecing together this most complex and thrilling of movies.        |      |  |