A  beautifully crafted and performed blend of Looney Tunes madness, physical  comedy gags, and silent film artistry, Hundreds of Beavers delivers  filmmaking ingenuity at its most energetic and entertaining. 
                                    Like a Vitamin  B12 shot, Hundreds of Beavers is just the kick needed to lift a populace  of cinema pundits from the doldrums of modern mainstream moviemaking. Directed  by Mike Cheslik, who co-writes with Rylan Brickland Cole Tews, Hundreds of  Beavers is as impressive in its craftsmanship as it is engrossing in its  story of man vs wild that evokes the slapstick artistry of classic Looney  Tunes adventures with the energetic filmmaking style of Sam Raimi (The  Evil Dead.) 
                                    
                                      Rylan  Brickland Cole Tews stars as Jean Kayak, an apple-jack salesman whose distillery  is destroyed by a group of beavers. Out of business and out of his depth in the  snow-driven wilderness, Jean learns how to survive in the elements while  courting the daughter (Olivia Graves) of a merchant (Doug Mancheski) who  demands a steep price for his daughters’ hand: one hundred dead beavers.
                                      Shot in  black and white and with no dialogue, Ceslik adds playful 2D animation elements  along with a wonderfully composed score by Chris Ryan to create a wholly  engaging adventure comedy spectacle. Quick-cut editing (also by Ceslik) gives  the film a pop and pace that never drags despite its almost two-hour runtime. The  sight of actors dressed in animal costume to depict the wildlife, meanwhile, delivers  a surreal zest as if Sesame Street blended with Jeremiah  Johnson by way of Evil Dead II, with Hundreds of  Beavers a playfully violent movie that literally lets the fur fly.
                                      Speaking  of which, lead actor Rylan Brickland Cole Tews delivers a hilarious performance  of pantomime perfection, evoking the madcap energy of vintage Bruce Campbell  and the physicality of Buster Keaton in his portrayal of a simple man who  learns that to achieve survival of the fittest is to slay beaver with extreme  prejudice. If there was an Oscar for facial expressions alone, Cole Tews would  win.
                                      With its  use of action as language and an innovative use of monochrome visuals, Hundreds  of Beavers delivers as a gut-busting funny and mesmerising live-action  cartoon of little comparison.