An eerie and gripping supernatural horror that permeates  with fear and sorrow, The Harbinger successfully taps into the  psychological distress felt during peak-Covid lockdowns in its telling of a  horror story that cuts deep with masterful precision.
                                      No one wants to return to the draconian rule that was the  Covid lockdowns of 2020-2021, yet that is where we find Monique (Gabby Beans),  a recent college graduate who is under strict quarantine with her father Ronald  (Raymond Anthony Thomas) and brother Lyle (Myles Walker). Their carefully  constructed bubble is popped when Monique’s college friend Mavis (Emily Davis)  calls, asking for help. Monique complies to the protest of her family, only to  find Mavis in physical and psychological distress due to absorbing nightmares  brought on by a demonic presence that now has its sights on Monique.
                                      
                                      Director and writer Andy Mitton pulls off a double-whammy  with The Harbinger: on one hand he gets under our skin with  uncomfortable intimacy, while on the other creating scenarios and scenes from  which we cannot look away.
                                      Much like the nightmares plagues that haunt these  characters, there is a sorrow throughout The Harbinger that is hard to  shake, that feeling of sadness, and inevitable doom that is conjured in all  matter of nightmare that pulls you down into the pit of a subconscious beast,  is projected with palpable, bone shuddering eeriness. 
                                      Mitton’s deft handle on the films’ numerous dreamscapes  in which the real and the surreal converge to make for manna from horror  heaven, are masterful in their staging, the fine editing by Mitton, and the  cinematography by Ludovica Isidori (Santuary) who especially  captures those moments of pitch-black nothingness as if presenting a  nihilistic-drenched abyss.
                                      Performances from Beans and Davis are strong, portraying  the fear and paranoia of not only a real world that has collapsed under the  weight of an insidious epidemic, but also a demonic presence that feasts on the  dread and sorrow found in the dark recesses of us all.
                                      Mitton successfully taps into the psychological and even  spiritual ramifications of the Covid-nightmare through a horror parable about  the demons that plague us from within. Gripping and terrifying, The  Harbinger is a film of its time, yet its themes and the execution of those  themes will haunt for some time.