The directorial  debut of Chris Stuckmann, Shelby Oaks is a creepy, twist filled horror  mystery led by a terrific Camille Sullivan.
                      From Francois Truffaut  to Rod Lurie, cinema is rich with film critics turned filmmakers. Popular  YouTube film critic Chris Stuckmann is the latest to join the fray with his feature  film debut Shelby Oaks, a horror mystery thriller that engrosses  and frightens with its twist filled story and spooky scares. 
                      
                      
                      
                      
                      Camille Sullivan  stars in Shelby Oaks as Mia Brennan, the long-suffering sister of  missing YouTube paranormal investigator Riley (Sarah Durn) who disappeared  under strange circumstances 12 years ago. After the grizzly suicide of a  strange man at Mia's doorstep leads to fresh clues in Riley's disappearance,  Mia travels down a dark and disturbing road to the truth that will jeopardise  her soul.
                      Beginning as a  true-crime style mocumentary, Shelby Oaks does the old switch-a-roo into  narrative film territory yet doesn't lose its intrigue while doing so. Stuckmann  has long covered the horror genre on his million-plus subscriber YouTube  channel and has clearly picked up a trick or two on how to create an engaging  supernatural creep show, while adding his own flourishes in the use of a  multiformat presentation in which (not surprisingly) features scenes from a  fake paranormal investigation YouTube show.
                       
                      
                       
                      Stuckmann also  wisely invests in the humanity of his protagonist Mia, the sleuthing sister  whose personal life is turned upside down while in pursuit of the truth.  Camille Sullivan is fantastic in the role, delivering a masterclass of raw  emotion and reactionary acting that heightens Mia's frightening confrontations  with the many elements (wolves, killers, ghosts and more) that are part and  parcel of this paranormal puzzle.
                      It all results  in supremely solid, scary work from Stuckmann, with Shelby Oaks a  promising debut from a filmmaker who takes his craft and themes seriously. It  will be interesting to see whether Stuckmann can develop his own voice as he  continues to do so.