Visually strong blend of horror and action, Overlord delivers upon its promise of  an entertaining, nail biting, ass kicking time at the flicks, which is more  than most genre film have done this year.
                                2018 will be known as the year where genre tent-pole  films just could not live up to the hype. The Predator, Jurassic World: Fallen Kingdom, The  Meg, Venom… one and all had fans of blockbuster fare salivating,  only to be very disappointed. Overlord does not have that problem. Produced by fanboy favourite J.J. Abrams, this  Julius Avery (Son of a Gun) directed movie expertly blends war, horror, and  action genres to make for one of the most entertaining movies of the year, the  kind of “hooked from the word go” film that works both on the cinema screen and  (eventually) watching late at night on the TV.
                                Set on the eve of D-Day during World War II, Overlord follows a group of American  military paratroopers who are on a mission in Normandy to take out a Nazi radio  tower located in a small village. An already dangerous mission becomes even  more so when rookie paratrooper Pvt. Boyce (Jovan Adepo) discovers that Nazi  scientist Dr. Wafrer (Pilou Asbaek) is experimenting on corpses, resulting in  zombie like creatures.
                                It is here when the stakes are ramped up to eleven, resulting  in a glorious romp of gore, thrills, and action, expertly crafted by Avery’s  on-point direction and a cracking screenplay by Billy Ray (Breach) and Mark L. Smith  (The  Revenant). Performances are also terrific all around, with Wyatt  Russell especially strong as explosives expert and paratrooper leader Ford, conjuring  his father’s (Kaur Russell for those who don’t know) trademark Snake Pilskin  snarl for an especially memorable grizzled hero performance. Great too is Paul  Asbaek, the Danish actor bringing an especially sinister presence to a character  whose evil nature grows to monstrous heights.
                                Excellent production design from Jon Henson (Testament  of Youth), rich cinematography from Laurie Rose (Free Fire) and Fabian  Wagner (Justice League), and magnificent make-up effects, create a  period action horror of high quality and even higher entertainment value.  Gritty, gory, and a hell of a lot of fun, Overlord just might be one of the best genre crossover films to be released in some time.