A motorsports drama with a focus on authenticity without  sacrificing the emotional stakes of its storytelling, One Fast Move is a  heartfelt and thrilling story of a young man trying to outrace his dark past to  win a brighter future.
                      One Fast Move lives up to its title when it comes  to the motorcycle speedway scenes, as a crew of riders get “real up close and  personal with death” as they slice across the granite and shale track and  get-low on corners at tremendous speeds. 
                       
                      
                       
                      Director and writer Kelly Blatz aimed at creating as  authentic a motorcycle racing screen experience that there is (even focusing on  the correct sound for every make of motorcycle) resulting in an immersive  tapestry of sound and visual that would have been a blast to watch in theatres  (One Fast Move is currently exclusive to Prime Video.)
                      The major strength of One Fast Move, though, is in  its quieter moments away from the speedway. Blatz’s film begins with Wes (KJ  Apa) a troubled young man who just served time in military prison for a bad  conduct charge. With a dream to become a professional motorcycle racer, Wes  tracks down his estranged father Dean (Eric Dane) a veteran of the sport who  although in his 50s hasn’t grown out of the ‘act now, apologise later’ mindset  of his youth.
                       
                      
                       
                      It's not enough for Wes, who is searching for some kind  of connection, some kind of guidance, some kind of purpose in a life of self-destruction  akin to racing down a dark road at full speed without headlights on. Apa  delivers a wonderfully restrained turn as Wes, portraying the repressed  emotional state of a lost cause in search of a compass and a fragile soul  buried under stubborn machismo.
                      Mental health among young men has become an increasingly  relevant issue, especially during these times where connection and community have  become scarcer. Blatz taps into that loneliness in his film of a young man whose  inner light grows when speeding towards death yet darkens when among the  living. 
                      One Fast Move is an underdog story not only in the  sporting field (or in this case the speedway) but also in life. Blatz find an  authenticity and a humanity in a young man’s desire to be the best he can be in  both.