| Starring the irreplaceable Susan Sarandon in one of her  very best turns, The Meddler also  features writer/director Lorene Scafaria as a filmmaker of great wit and  warmth.
 Mums don’t get their due on the big screen. While popular  of late is the “monster mum” as seen in Precious and August: Osage County,  missing is the portrayal of those mums who love unconditional, work unrewarded,  and support to the point of nagging annoyance. The kind portrayed in The Meddler, the breakthrough comedy  drama from Lorene Scafaria whose own mother was the inspiration for Marnie  (Susan Sarandon), a delightfully charming and down to Earth portrayal of an  aging mother and widow facing a crossroads in a life dedicated to the support  of others yet lacking the attention for her own personal self.
 
                        
                          |  |  Sure, it sounds life Oprah-esque claptrap, but as written  and directed by Scafaria and performed by Sarandon, The Meddler is charming, tug-the-heart engaging stuff, that’s as authentic  in its emotions as it’s entertaining in its filmmaking. In short, a rarity of  character and tone. The film follows Marnie as she relocates to Los Angeles  to restart her life and stay close to her screenwriter daughter Lori (Rose  Byrne). With Lori wanting nothing more than space from her admittingly  overbearing mother, the financially secure Marnie (a posthumous gift from her  loving late husband) focuses her optimistic love and financial resources on a  variety of people in need, while herself falling in love with retired police  officer and divorcee Randall (J.K. Simmons, charmingly good in a supporting  role). Sarandon adds a tremendously wonderful performance to an  already iconic career, filled with genuine emotion and charming spirit, with  her Marnie a character of embracing warmth both comforting and smothering. Not  only does it exemplify that such a character can lead a movie, but it also  proves that more roles for cinema’s elder women of the screen is indeed a good  and rewarding thing.  With her second stint as direct, Scafaria has found her  voice as a filmmaker able to convey sentimentality without resorting to  cornball cutesiness, and humanity without the need for “grit” to achieve  authenticity. Combined with her midas touch on drawing excellent performances  from talented actors, and The Meddler proves to be not only a film to seek out and watch, but Scafaria as a filmmaker  to laud. |