An engrossing historical drama of much wit and  intelligence, A Man for All Seasons is a robust portrayal of one man’s  stand for virtue against a corrupt tyranny, with the story of Sir Thomas Moore  incredibly relevant today.
                                      There are moments in life that demand you draw a line in  the sand, moments that speak to who you are, what you believe, and how far you  are willing to go to fight for that belief. For Sir Thomas Moore (Paul Schofield)  his beliefs, strongly inspired by his Catholic faith, not only defined who he  was in life, but also who he was in death.
                                      
                                      A lawyer and statesman during 16th century  Britain, Moore was also Lord High Chancellor of England, until his opposition  to the Protestant Reformation took him to a moral, political, and theological  crossroads, when King Henry VIII (Robert Shaw) moved to split from the Catholic  Church and establish the Church of England, all so he can divorce the Queen and  marry Anne Boleyn (Vanessa Redgrave.)
                                      A Man for All Seasons presents Moore’s final years,  and the ramifications of King Henry VIII’s earth shattering decision, with  equal parts historical veracity and British filmmaking pageantry. Based on the  1960 play by Robert Bolt (who adapts his work to the screen), the film is  especially dialogue driven yet you would be hard pressed to find a better  screenplay during year or any other. 
                                      Heavy subjects such as religion and politics are spoken  with spirited tongue, as Moore uses his intelligence and cunning wit to not  only ignore the traps laid by a corrupt royalty out to catch him as a “traitor”,  but to also teach lessons of integrity and God given virtue in the face of a  giant imposing force set to crush his will and compromise his soul.
                                      Paul Scofield is terrific as Moore, delivering Bolt’s  dialogue with conviction and precision, establishing the strong, faith based moral  integrity that Moore was willing to die for and which we believe and invest in  throughout the films 120 min runtime. Great too are supporting turns by John  Hurt as the corruptible weasel Richard Rich, and Robert Shaw as the emotional  unpredictable King Henry VIII whose power-hungry ego leads him believe that he  is equal to God himself.
                                      Director Fred Zimmerman (From Here to Eternity)  expertly balances royal drama theatrics, character rich morality storytelling,  and historical based dramatization to create a film of much relevance and  entertainment value. The story of Sir Thomas Moore is an important in its historical  and present-day implications, where the integrity of the individual – made in  God’s image, exercising free will, with the right to believe what he/she chooses  to believe – is of paramount importance. 
                                      A Man for All Seasons is a movie made for all  seasons.