Richard Gere plays the role of corrupt cop to sleazy  perfection in Internal Affairs, the Mike Figgis directed crime thriller  that melds police procedural thrills with psychosexual dramatics.
                      Corrupt-cop movies live and die on the corrupt-cop at the  centre of the story, and the Richard Gere portrayed Dennis Peck in Internal  Affairs is as rotten-good as they come. An LAPD veteran with his tentacles  in numerous illegal-enterprises, Peck embodies the nature of a deadly snake in his  slithery charm, keen cunning, and venomous bite ready to strike those who dare  cross him.
                      Perhaps most important is the psychological games that  Peck likes to play on his victims, exploiting weakness and ego through his confident  allure and keen jabs at insecurities that sting like a papercut. Gere delivers  one of his best performances as Peck, blending the sinister with the sleazy to  make an unforgettable villain. 
                       
                      
                      
                      
                      Hellbent on bringing Peck down is Raymond Avilla (Andy  Garcia), a cop uncompromising in his values who joins the internal affairs division  of the LAPD where he first gets a whiff of Peck’s corrupt scent. Avilla is also  married to Kathleen (Nancy Travis) who Peck uses to get under the hot-tempered  Avilla’s skin.
                      Garcia’s intense smouldering machismo is the perfect  counter to Gere’s charming sinister energy. When Gere and Garcia share the  screen the animosity between the two is palpable, which is no doubt heightened  by a rumoured off-screen rivalry between the two. 
                      
                      
                       
                      Director Mike Figgis (Leaving Las Vegas)  astutely taps into the themes of Henry Bean’s screenplay – namely ego,  machismo, possession – and the effect it has on the numerous women in the lives  of these two cops, which also includes Laurie Metcalfe as Garcia’s partner and  Annabella Sciorra as Gere’s morally conflicted wife.
                      Corrupt cop movies don’t get as down and dirty like Internal  Affairs yet still ends up smelling like roses. It’s a testament to Figgis’  filmmaking and the performances of its cast that Internal Affairs succeeds  in doing so.