A thrilling and heartbreaking depiction of a heroic  battle within an unpopular war, Danger Close: The Battle of Long Tan also proves to be a brilliant technical achievement that places the viewer in  the thick of an intense firefight. 
                                The Vietnam War Movie is rich in the history of cinema.  American filmmakers are the main contributor. Afterall, it was an incredibly  unpopular war which they lost during the throes of a cultural revolution. Bitter  filmmakers created movies incredibly resentful of the war, and in some cases the  soldiers who fought in it. Danger Close: The Battle of Long Tan is not a  film that deals in bitterness and resentment, although Lord knows that is most  certainly could. No, this latest movie from prolific Australian director Kriv  Stenders (Red Dog) is set on righting a wrong and honouring the 1st  Australian Task Force, namely 108 soldiers who took on 2,500 Vietcong in an  intense firefight and won. It was one of Australia’s greatest achievements on  the battlefield, and a wartime story that matches the likes of Gallipoli and Kokoda yet gets nowhere near the same recognition. Until now.  
                                The film begins in 1966, South Vietnam, as the 1 ATF are  bombarded by VC mortars. The next day tough as nails Major Henry Smith (Travis  Fimmel) is given orders by Colonel Colin Townsend (Anthony Hayes) and Brigadier  David Jackson (Richard Roxburgh) to lead his Delta Company in a search for the  Vietcong forces responsible. Among his troops are loyal Sergeant Bob Buick (Luck  Bracey) and rebellious Private Paul Large (Daniel Webber). Soon in a rubber  plantation near Long Tan, D Company are met with an onslaught of artillery.  Pinned to the ground in monsoon like conditions and running low of ammunition,  Smith and his men must find a way and the will to fight back and survive. 
                                Stenders masterfully presents the desperation and the danger  these men faced, creating a literal Hell on Earth as bullets and mortar whiz  across the screen at rapid fire pace. Filmed in Queensland, Australia, a  fantastic crew including production designer Sam Hobbs (Little Monsters),  editor Veronika Jenet (Snowtown), cinematographer Ben Nott (Predestination),  and a cracking visual, special and sound effects team, bring this war to life  with raw, visceral impact. Many war films have placed the viewer “in the shit”,  yet Danger Close showcases an ability to do so with gumption and  masterful artistry. 
                                The films visual impact is nothing without its emotional  undercurrent, and Danger Close packs a mighty wallop there as well. The  theme of mateship resonates deep and strong. Stenders wisely leaves the  politics of the Vietnam War aside and concentrates on the men on the  battlefield: conscripts and volunteers; Australian and New Zealand; indigenous  and immigrant; ANZAC one and all. As portrayed by the likes of Travis Fimmel,  Luke Bracey and a scene stealing Daniel Webber (who along with The Dirt continues to have a breakout year), these men of different motivation and tact  stood beside one another on a frontline of fire, shrapnel, blood and mist.
                                At the end of the film there are two statistics we are  reminded of: 18 1ATF soldiers killed in action, and the 45 years of subsequent  Australian governments that refused to acknowledge this event happened. Danger  Close: The Battle of Long Tan heartbreakingly and brilliantly reminds that  it certainly did, and that these men and other veterans should be thanked for  their service, their sacrifice, and their spirit.